Carl Larsson.org, welcome & enjoy!
![Carl Larsson.org](images/carllarsson.gif) |
|
Jean Marc Nattier
Mademoiselle de Lanbesc as Minerva,Arming Her Brother the Comte de Brionne and Directing Him to the Arts of War (mk05)
new6/Jean Marc Nattier-829223.jpg ID: 20652
Want A Reproduction?
|
|
|
|
Want A Reproduction?
![Go Back!](/images/goback.gif)
|
Jean Marc Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life. Related Paintings of Jean Marc Nattier :. | Madame de La Porte | Madame de Maison-Rouge as Diana | Madame Victoire of France | Portrait de Madame de Pompadour en Diane | Duchesse de Chateauroux | Related Artists: Mathey, PaulFrench, 1844-1929 Heinrich Friedrich Fugerpainted Prometheus brings Fire to Mankind in 1817 Arellano, Juan deSpanish Baroque Era Painter, 1614-1676
Spanish painter. He was the pre-eminent painter of flower-pieces in 17th-century Spain. Although Spaniards of the previous generation had painted such works, it was the inspiration of Flemish and Italian examples in Madrid that from c. 1650 encouraged Arellano's success as a specialist in this genre. According to Palomino, who moved to the Court shortly after the artist's death and befriended many painters who had known him, Arellano began to paint flowers only in his thirties after a beginning that showed little promise.
|
|
|
|
|
|
|
|
![Carl Larsson](images/dansar.gif)
All the Carl Larsson's Oil Paintings
Supported by oil paintings and picture frames
![](images/art.gif)
Copyright Reserved
|